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The Gospel According to Hermes: Intimations of Christianity in Greek Myth, Poetry & Philosophy

Ron Samuel Dart, Bradley Jersak, Simon Oliver, Lazar Puhalo, & Wm. Paul Young, read

Tertullian famously asked, “What hath Athens to do with Jerusalem?” Perhaps the title of this work will raise the question, “What hath Hermes to do with Christ?” Quite a lot, as it turns out, by way of comparison, contrast, illustration, and prefigurement. Hermes, herein, represents far more than a particular figure in Greek mythology. Hermes functions as a placeholder, symbolizing the legacy of ancient Greek myth, poetry, and philosophy—and also the layered hermeneutics that classical Greek education contributed to both Jewish and Christian interpretations of the Scriptures, and the development of their theology, doctrine, and ethics. Despite the unfortunate but popular assumption of a Jewish-Greek dualism among many scholars since Adolf von Harnack, the stubborn and happy fact is that the New Testament itself already demonstrates a profound integration of the Hellenized Judaism established in Alexandria. The first Christian theologians were not contaminating some imaginary pure Jewish Christianity with Greek accretions. Rather, our authors will propose and demonstrate the confluence of both great streams in the development of the New Testament Scriptures, patristic theology, and hermeneutics. This collection of essays is but a faint echo of Simone Weil’s formidable work, Intimations of Christianity Among the Ancient Greeks, and is certainly inspired by her insights. Our authors will propose and demonstrate the confluence of both great streams in the development of the New Testament Scriptures, patristic theology, and hermeneutics. This collection of essays is but a faint echo of Simone Weil’s formidable work, Intimations of Christianity Among the Ancient Greeks, and is certainly inspired by her insights.
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Attending: An Ethical Art

Warren Heiti read

“Attending addresses a significant gap in the literature on attention. The way Heiti places important twentieth-century authors in conversation with each other is original and well done. This is a very rich and beautiful book.” Sophie Bourgault, University of Ottawa and co-editor of Simone Weil, Beyond Ideology?

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Attending – patient contemplation focused on a particular being – is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness.

Moral theory has been agonized by dualism – motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered by Simone Weil and developed in the work of Iris Murdoch, John McDowell, and Jan Zwicky. According to Weil, virtue is knowledge, knowledge is embodied, and the knower is nested in an ecosystem of relationships. Instead of analyzing and solving theoretical problems, Heiti aims to clarify the terrain by setting up objects of attention from more than one discipline, including not only philosophy but also literature, psychology, film, and visual art.

The traditional picture captures one important type of ethical activity: faced with a moral problem, one looks to a general rule to furnish the solution. But not all problems conform to this model. Heiti offers an alternative: to see what is needed, one attends to the particular being.

Warren Heiti is a professor of philosophy and liberal studies at Vancouver Island University.

McGill-Queen’s University Press (2021)
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Iris Murdoch and the Others: A Writer in Dialogue with Theology

Paul S. Fiddes read

The “others” examined by Fiddes are mainly those with whom Murdoch entered into explicit dialogue in her novels and philosophical writing-including Immanuel Kant, Simone Weil, Dietrich Bonhoeffer, Rudolph Bultmann, Paul Tillich, Don Cupitt, Donald Mackinnon, and Jacques Derrida. This “historic” dialogue is, however, placed within a wider dialogue between literature and theology being conducted by the author, and “others” are brought into relation with Murdoch in order to illuminate this more extensive conversation-notably the poet Gerard Manley Hopkins and the feminist philosopher Julia Kristeva.

The book demonstrates that characteristic themes in Murdoch’s novels and philosophy-the love of the Good, the death of the ego, illusory consolations, the death of God, the modifying of the will by “waiting”, the sublime and the beautiful, and attention to other things and persons-all take on a greater meaning when placed in the context of her life-long conversation with theology. The exploration of this context is deepened in this volume by reference to annotations and notes that Murdoch made in a number of theological books in her personal library.

Paul S. Fiddes is Professor of Systematic Theology at the University of Oxford and is Director of Research at Regent’s Park College, Oxford, UK.
Publisher: ‏ T&T Clark (December 2, 2021)
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Sacrifice Between West and East: René Girard, Simone Weil and Mahatma Gandhi on Violence and Non-Violence

Wolfgang Palaver read

Wolfgang Palaver In this chapter, Wolfgang Palaver looks at developments in Rene Girard’s later work, in particular, at Girard’s assessment that he had earlier unfairly “scapegoated” sacrifice in an effort to rid humanity of violence. In recognition of the need to address — not erase — the violence that is with us, Girard developed his thinking in at least two ways. The first is his growing interest in how an “ontology of peace,” which Girard held undergirds all faith traditions, is expressed in non-Christian faiths. Second is his insight that Jesus’s death on the cross tells us not only about the evils of sacrifice-as-murder but also about the productive possibilities of sacrifice-of-self, giving for the sake of others. To explore what such donative sacrifice consists in, Palaver investigates the theories of oppression, resistance, and sacrifice in the works of Simone Weil and Mahatma Gandhi.

in in Marcia Pally, ed., Mimesis and Sacrifice Applying Girard’s Mimetic Theory Across the Disciplines, Bloomsbury (2019), pp. 37-50
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The Red Virgin: A Novel Inspired by the Life of Simone Weil

Clark McCann read

The Red Virgin, by Clark McCann, reimagines the life of the French philosopher, Simone Weil (1909-1943) through the character of Sabine Arnaud. Weil acquired the pejorative nickname, “red virgin,” at the Sorbonne because of her radical politics, mannish clothes, and asexual nature. During her short life, Weil frustrated all those who might claim her for their own. She was a Christian who refused baptism, a Jew who denied her heritage, a Marxist who denounced communism, and a towering intellect who condemned the intelligentsia for their social privilege and moral cowardice. Perhaps most telling, she was a prophet of love who shrank from the touch of man or woman. The Red Virgin brings the mind and spirit of this fascinating woman to life in a philosophical novel with a plot worthy of a thriller.

The story opens in Los Angeles in 1976. Craig Martin, a jaded sitcom writer, discovers clues among his mother’s effects that a long-dead French philosopher, Sabine Arnaud, might be his birth mother. Arnaud, a refugee from Occupied France, had been a neighbor of his mother in New York in 1942, the year of his birth. Arnaud then left for London, where she hoped to join de Gaulle’s Free French Forces, only to fall ill and die of tuberculosis before realizing her dream of fighting the Nazis.  Martin sets off for Europe in search of Arnaud’s past and stumbles on a wartime secret that puts his life in danger. Arnaud’s death may have been faked by British Intelligence before sending her on a mission to Occupied France. As the mystery shrouding Arnaud’s life and death unfolds, Martin follows her trail, a step ahead of those who would silence them both. Alternating between the 1970s and World War II Europe, we follow Martin and Arnaud on their separate journeys, across three continents, until Martin finds the answers he seeks in the remote mountains of Ethiopia.

Issaquah, WA: Solesmes Press, 2019
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Venice Saved

Simone Weil, ed. & trans by Silvia Panizza & Philip Wilson read

Towards the end of her life, the French philosopher and mystic Simone Weil (1909-43) was working on a tragedy, Venice Saved. Appearing here in English for the first time, this play explores the realisation of Weil’s own thoughts on tragedy. A figure of affliction, a central theme in Weil’s religious metaphysics, the central character offers a unique insight into Weil’s broader philosophical interest in truth and justice, and provides a fresh perspective on the wider conception of tragedy itself.

The play depicts the plot by a group of Spanish mercenaries to sack Venice in 1618 and how it fails when one conspirator, Jaffier, betrays them to the Venetian authorities, because he feels compassion for the city’s beauty.

The edition includes notes on the play by the translators as well as introductory material on: the life of Weil; the genesis and purport of the play; Weil and the tragic; the issues raised by translating Venice Saved. With additional suggestions for further reading, the volume opens up an area of interest and research: the literary Weil.

New York: Bloomsbury Academic, 2019

Reviewed

Ronald Collins, “The Play’s the Thing: On Simone Weil’s Venice Saved,” Los Angeles Review of Books, Aug. 28, 2019
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Love in the Void: Where God Finds Us

Simone Weil

Laurie Gagne, ed., Plough Publishing House