Recommended

Theatre as Creative Failure: Simone Weil’s Venise sauvée Revisited

Thomas Sojer read

Abstract: Simone Weil’s dramatic criticism and dramatic writing offer a way of reconceptualizing what it means to engage critically under fascist censorship. This essay explores her closet drama Venise sauvée as an example of her embrace of writing political resistance in a time when classical theatre criticism was absent and artistic resistance had been made futile. Simone Weil called for an awakening in the audience to acknowledge their responsibility of how they let theatre shape their way of thinking about war. I demonstrate that Weilian theatre theory does not only consider the stage an object to be analyzed, but also the very subject through whose lenses one can undertake a critical reshaping of ways to interpret the world. In this dramatic view on WW II Weil exhibits the artistic voices of resistance in occupied France as caught in its own echo chambers and thus no longer perceptible in society. The essay reads her unfinished historical tragedy Venise sauvée and its central motif of the silenced voice of resistance as an implicit warning to the contemporary théâtre resistant to become the agent of its own irrelevance. I propose that beyond this warning there lies a theory of deconstructing propaganda theatre by unleashing the creative power of theatre’s failure, namely via a distortion of the socially synchronized inner and outer stage of the audience.

Platform, Vol. 13, No. 1, On Criticism, Autumn 2019, pp. 17-30

Simone Weil Bibliography

Saundra Lipton read

Although Simone Weil died very young at age 34, her essays and notebooks have been the topic of a significant volume of scholarship from a wide variety of disciplines including Religion, Philosophy, Literature, Nursing, Political Science, History, Psychology, Education, and Business.  However, the last comprehensive bibliography of critical works on Simone Weil compiled by J.P. Little, dates back to 1973 with a supplement in 1979 and a small update in 1995.  The diversity and range of this ongoing scholarship make an updated comprehensive bibliography critically important for those writing on Weil and her work.

Saundra Lipton, University of Calgary, and Debra Jensen, Mount Royal University have been active collaborators (till Debra’s untimely death July 15, 2012) in the compilation of a comprehensive bibliography of scholarly works on Simone Weil.  The goal of this project is to provide a valuable service to scholars and students in many fields by facilitating access to Weilian resources across disciplinary, geographic, and linguistic divides.  Publications worldwide have been surveyed. Over 5500 works have been discovered.  This online version of the bibliography currently lists more than 5000 book, essays, journal articles, and theses.

I dedicate my continuing efforts on this project to the memory of my dear friend and colleague Debra Jensen.

University of Calgary online library of resources