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“The Nature of Narrative in Simone Weil’s Vision of History: The Need for New Historical Roots”

Christine Ann Evans

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 55-68
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“Simone Weil on Morality and Literature”

John M. Dunaway

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 99-107
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“The Tragic Poetics of Simone Weil”

Katherine T. Brueck

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 109-121
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“Sacramental Tension: Divine Transcendence and Finite Images in Simone Weil’s Literary Imagination”

Thomas Werge

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 85-97
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“The Self-Hatred of Simone Weil”

George Steiner

in No Passions Spent: Essays 1978-1995, New Haven: Yale University Press, pp.171-179
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“The Tragic Poetics of Simone Weil,”

Katherine T. Brueck

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 109-121
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“The Character of Don Giovanni in Mozart’s Opera”

Diogenes Allen

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 193-183
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“Simone Weil and Music”

Michel Sourisse

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 123-148
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“The Love of Truth”

Martin Andic

Cahiers Simone Weil, vol. 18, no. 4, pp. 389-418