Written

A just and loving gaze

Deborah Casewell

Simone Weil: mystic, philosopher, activist. Her ethics demand that we look beyond the personal and find the universal.

Excerpt:” . . . Weil’s ethics can be reconstructed from three key texts written in 1943, the last year of her life. These are the essay ‘La Personne et le sacré’ (1957), the manifesto ‘Draft for a Statement of Human Obligations’, and her book The Need for Roots (1949). Written while she was working in London for the Free French forces, these texts explore several key concepts in Weil’s ethical thought – that ethical action is grounded in our obligation to something impersonal and universal in the other, not in rights; that this obligation is expressed best in the attitude of attention, or reading, towards the other person; and that this obligation is grounded not in the world but outside it. This latter aspect draws both from her philosophical love of Plato and her own religious convictions, stemming from a series of mystical experiences and practices, which brought her to, but kept her at the door of, the Catholic Church. She remained as fiercely singular in this respect as in all others, though her outlook was broadly Christian.

These concepts are evocatively drawn out in the essay ‘La Personne et le sacré’, translated variously as ‘Human Personality’ or ‘What Is Sacred in Every Human Being?’ Here, she uses two examples to illustrate her ethical vision and challenge our immediate idea of why and how we should act towards others. She begins by focusing on what appears to be a rather common-sense approach to the question of how we should relate to other people – we should look at each of them as a person, with a personality, a certain je ne sais quoi, which we respond and relate to. This is a form of personalism. . . .”  {full text in link}

Deborah Casewell is a Humboldt Research Fellow in philosophy at the University of Bonn and co-director of the UK-based Simone Weil Network. Her most recent book is Eberhard Jüngel and Existence: Being Before the Cross (2021).

Aeon (2022)

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