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Horror Transfigured: Force Drama and World’s Beauty According to Simone Weil

Rodolphe Olcèse read

This text, dedicated to the thought of Simone Weil, aims to show how misfortune and the experience of horror are the extreme consequence of an immoderate exercise of force, understood as one mode of the natural necessity. The purpose of Simone Weil’s reflections on human distress is to show that misfortune, by sharpening our faculty of attention, opens the way of its own excess.

Alkemie,

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Semantics of the Unspeakable: Six Sentences by Simone Weil

James Winchell read

Trajectories of Mysticism in Theory and Literature, (n.d.) pp. 72-93

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Alain (Émile-Auguste Chartier): Entry # 2

Allen G. Wood read

“Alain’s career was closely connected with the educational system in France, since he served as professor of rhetoric at the Lycée Henri IV from 1909 until 1933, and bad a profound influence on the thinking of a generation of French intellectuals. In his essays he often adopted a professorial position, providing insights and stimulating thought in a concise, meditative prose style. As with so many French essayists, Alain was a philosopher in the style of Montaigne rather than of Descartes. He did not leave a systematic philosophy, nor a major opus, but a large and disparate collection of personal observations that are both penetrating and amusing. The substance of his thought, however, was profoundly influenced by rigorous Cartesian logic. . . .”

United Architects On Andre Weil

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Simone Weil: Marxism Outside Itself

Thomas Dommange read

S. Weil’s relationship to Marxism is paradoxical because it unveils a loyalty to Marx in spite of ruptures and renunciations of the Marxist theory. S. Weil’s ties to Marxism seem discontinuous because after having adopted certain revolutionary ideas during her first years of political activism she criticizes Marx in the 30’s and ends up seemingly abandoning him in the last part of her life. This path, however, far from revealing the slow and inexorable disappearance of Marx’s concepts, rather, demonstrates the persistence and metamorphoses in S. Weil’s philosophy. We suggest then, that a criticism of the revolution followed by a kind of Christianity developed in the wake of a year spent in the factory, constitute S. Weil’s own special manner of being Marxist, even though Marxism seems to have become useless to her.

Les Etudes Philosophiques, vol. 82, no. 3, pp. 207-222

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Of Colonialism and Corpses: Simone Weil on Force

Helen M. Kinsella read

Excerpt

“. . . . In the scholarship on Simone Weil, her emphasis on colonialism is still not yet fully integrated into analyses of the use of force nor, more generally, as another source of her reflections on the concepts which adumbrate her work.6 Processes that she identified as constitutive of colonialism’s brutality – uprooting, loss of the past, degradation of labor, and the pursuit of unlimited profit and power – inform her thought. As Dietz points out, the hallmarks of Weil’s concerns are “the meaning of individual freedom in the modern collectivity, the nature of community in the nation-state, and the political and social possibilities for an end to the affliction and oppression of the human condition,” each of which directly implicates colonialism and empire. In this chapter, I propose to explore the relationship of colonization to her concept of force and her exposition of rights – to draw out the ways in which her argument that force turns “man into a thing” is born out of her earlier analysis of how in colonial wars “we, first of all, reduce whole populations to slavery, and then we use them as cannon fodder.”

I argue that this accomplishes three things. First, Weil provides an analysis of modernity and the rise of totalitarianism that specifically centers colonialism as fundamental to each and, consequently, to any analysis of international politics. Second, she develops her theories through her own political engagement and activism in the context of her time, negotiating and unsettling the governing intellectual, social, and political expectations – as articulated through gender, certainly, but also no less so through the complex intersections of class and religion. Accordingly, her politics and her scholarship continue to challenge a disciplinary post-1945 positioning of colonialism as peripheral to the development of international thought, and further confirm the significance of “historical women” in the field. Third, Weil’s own reckoning with the tumultuous politics of her time can animate contemporary analyses of force as understood and enacted in complex and critical ways.”

** Essay in Patricia Owens & Katharina Rietzler, eds., Women’s International Thought: A New History, Cambridge, UK: Cambridge University Press (2021), pp. 72-92.

Helen M. Kinsella is an Associate Professor of Political Science at the University of Minnesota, Twin Cities.

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From Innate Morality Towards a New Political Ethos: Simone Weil with Carol Gilligan and Judith Butler

Aviad Heifetz read

In 1943, Simone Weil proposed to supersede the declaration of human rights with a declaration of obligations towards every human being’s balancing pairs of body and soul’s needs, for engaging and inspiring more effectively against autocratic and populist currents in times of crisis. We claim that Weil’s proposal, which remains pertinent today, may have been sidestepped because her notion of needs lacked a fundamental dimension of relationality, prominent in the ‘philosophical anthropology’ underlying the (different) visions for a new political ethos of both Judith Butler and Carol Gilligan. From the radical starting point of innate morality common to all three thinkers, we, therefore, indicate how an enriched notion of interlaced needs, encompassing both balance and relationality, may restore the viability of a declaration of human obligations as a robust source of inspiration. In this combination of balance and relationality, Butler’s notion of aggressive nonviolence is key.

Article in  Ethics, Politics & Society. A Journal in Moral and Political Philosophy, no. 4 (2021), pp. 175-188.

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“The Love of God and Man’s Suffering: Simone Weil and Georges Bernanos”

William S. Bush

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 185-196