Love between Two Poems: The Imagination, Love and Literature in Simone Weil
Mysticism and/as Love Theory (2021), pp. 167-176
Mysticism and/as Love Theory (2021), pp. 167-176
In 1943, Simone Weil proposed to supersede the declaration of human rights with a declaration of obligations towards every human being’s balancing pairs of body and soul’s needs, for engaging and inspiring more effectively against autocratic and populist currents in times of crisis. We claim that Weil’s proposal, which remains pertinent today, may have been sidestepped because her notion of needs lacked a fundamental dimension of relationality, prominent in the ‘philosophical anthropology’ underlying the (different) visions for a new political ethos of both Judith Butler and Carol Gilligan. From the radical starting point of innate morality common to all three thinkers, we, therefore, indicate how an enriched notion of interlaced needs, encompassing both balance and relationality, may restore the viability of a declaration of human obligations as a robust source of inspiration. In this combination of balance and relationality, Butler’s notion of aggressive nonviolence is key.
Ethics, Politics & Society. A Journal in Moral and Political Philosophy, no. 4 (2021), pp. 175-188.
Les Etudes Philosophiques, vol. 82, no. 3, pp. 183-205.
The title comes from chapter 4 of Brenna Moore’s new book, Kindred Spirits: Friendship and Resistance at the Edges of Modern Catholicism, Chicago: University of Chicago Press (2021) pp. 145-171. In it, Moore focuses on the bond between French medievalist Marie Magdeleine Davy (1903-1998) and Simone Weil. Davy and Weil were acquaintances, but after Weil’s death, Davy dedicated significant scholarly attention to Weil’s thought and life. She authored one of the first books on Weil in 1951, lifting her up as a model for a new kind of sanctity in the modern world. In the late 1950s and ’60s, Davy’s projects were animated by what Moore calls an “invisible friendship” with Weil. Spurred on by memories of Weil, in 1962 Davy created an experimental utopian community for international students in rural France, the Maison Simone Weil, in her friend’s honor. As Moore puts it, “Simone Weil, more than anyone else, was Marie-Magdeleine Davy’s invisible friend, her inner guide, and her saint.” The story uncovers one of the many fascinating afterlives of Simone Weil, one that has not yet been told to English-speaking readers.
Although Simone Weil’s thought is, in some respects, the epitome of all that Friedrich Nietzsche rejected and opposed, there are nevertheless some deep and significant parallels between the two. This chapter considers one aspect of this intriguing resemblance, through consideration of Nietzsche’s conception of the eternal recurrence, and in dialogue with Weil’s aspiration to love all things “because they are real”. Both thinkers have a deep sense of what it means to contemplate and value one’s life without the lens of a possible teleological fulfillment, and in the absence of any eschatological hope for “the life of the world to come”. Just as Weil claims that “to love all facts is nothing else than to read God in them”, it seems that Nietzsche’s idea of eternal recurrence could be well expressed in a similar idiom: “to love all facts is to read eternal recurrence in them”.
“Reality and Recurrence: Reflections on Nietzsche and Weil,” Stuart Jesson, in Death, Immortality and Eternal Life, T. Ryan Byerly, ed., 2021, pp. 149-164.
Although Simone Weil died very young at age 34, her essays and notebooks have been the topic of a significant volume of scholarship from a wide variety of disciplines including Religion, Philosophy, Literature, Nursing, Political Science, History, Psychology, Education, and Business. However, the last comprehensive bibliography of critical works on Simone Weil compiled by J.P. Little, dates back to 1973 with a supplement in 1979 and a small update in 1995. The diversity and range of this ongoing scholarship make an updated comprehensive bibliography critically important for those writing on Weil and her work.
Saundra Lipton, University of Calgary, and Debra Jensen, Mount Royal University have been active collaborators (till Debra’s untimely death July 15, 2012) in the compilation of a comprehensive bibliography of scholarly works on Simone Weil. The goal of this project is to provide a valuable service to scholars and students in many fields by facilitating access to Weilian resources across disciplinary, geographic, and linguistic divides. Publications worldwide have been surveyed. Over 5500 works have been discovered. This online version of the bibliography currently lists more than 5000 book, essays, journal articles, and theses.
I dedicate my continuing efforts on this project to the memory of my dear friend and colleague Debra Jensen.
University of Calgary online library of resources
Abstract: “Given our troubled history in the 20th century, how is it that nationalism and populism have come to raise their heads again in Europe over the past 20 years? What have we lost? What is it about our liberal, democratic political structures that create the current atmosphere of mistrust, xenophobia, and shortsightedness? How has this development come about, and what is driving it? How should we understand this de- sire for authoritarianism?
In this paper, I will address these questions through a reading of two essays that can be considered to have been written as warning signs regarding a very common tendency within social psychology that entails the development of communities towards authoritarian structures. Simone Weil’s essay “Human Personality”, written in 1943 during her wartime exile in London, and Václav Havel’s “The Power of the Powerless”, written in 1978 during his house arrest in Czechoslovakia, both address the potential relapse of Europe into authoritarianism. Neither of these essays should be read as developed theories within political philosophy. They are notes from a dire predicament of crisis, on both a personal and a macro-political level, that investigate the relationship between the subject and society in order to understand the dynamics of totalitarianism. Their strength lies exactly in that they address a present unfolding situation that the authors perceive to have potentially unbearable consequences. This tone of urgency, their way of addressing us from a positionality void of any real power or privilege, and their bold demands for envisioning change beyond given political ideologies, make these essays into unique backdrops for thinking about our current political questions.
Both Weil and Havel advocate an open society that permits the subject to cultivate a form of life beyond collective ideology. Both essays address the sensibilities of the subject that do not appeal to identity, common ideology or collectivity in order to thrive. The aim of this paper is to outline this redefinition of the relation between the individual and society in Weil and Havel, as a remedy for our desire for authoritarianism.”
Publication: Filosofický časopis (no 4, 2021, p. 83)
Antony Fredriksson, University of Pardubice, Faculty of Arts and Philosophy
e-mail: Antony.Fredriksson@upce.cz
— essay in Edward J., Hughes, Egalitarian Strangeness: On Class Disturbance and Levelling in Modern and Contemporary French Narrative (Liverpool University Press, 2021), pp. 131-156
Book Abstract: The formulation ‘egalitarian strangeness’ is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a collection of essays by the contemporary French thinker Jacques Rancière. Perhaps best known for his theory of radical equality as set out in Le Maître ignorant [The Ignorant Schoolmaster] (1987), Rancière reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, he argues that words and sentences serve to capture any life and to make it available to any reader. The present book explores embedded forms of social and cultural ‘apportionment’ in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the ‘refrain of class’ audible in works by Claude Simon, Charles Péguy, Marie Ndiaye, Thierry Beinstingel, and Gabriel Gauny and examines how these authors’ practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil’s mid-1930s factory journal, Paul Nizan’s novel of class alienation Antoine Bloyé from the same decade, and Pierre Michon’s Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors François Bon and Didier Eribon demonstrate ways in which enduring forms of cultural distribution are both consolidated and contested.”
Catholic Outlook, Diocese of Parramatta, Australia.
This essay argues that Simone Weil’s writings suggest a phenomenological method of particular relevance to investigating ethical questions. It begins by presenting evidence that although Weil does not mention phenomenology explicitly, she thinks about ethics in a phenomenological manner. Subsequent sections outline a “phenomenological ethics” derived from Weil’s notion of attention and her hermeneutics of ‘reading’ the world. Since attention sets aside the self and its personal world, this allows for an ethics of self-abdication (decreation) relatively free of influence by the forces of domination. David Rousset’s term “concentrationary universe” is introduced to describe the claim, argued by Hannah Arendt, Giorgio Agamben, and others, that present-day societies show evidence of an increasing reliance on ways of thinking derived from the Nazi concentration camps. Examples are given of applications of Weil’s phenomenological method to the problem of how to recognize signs of potential domination in a concentrationary universe.
Macrina Magazine, no. 6, (December 5, 2020)