Nationhood and Roots: Dostoyevsky and Weil on National Culture and Europe
Religion, State & Society, vol. 26, nos 3-4, pp. 279-289
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“Gravity” in the Thought of Simone Weil
Philosophy and Phenomenological Research, vol. 57, No. 1, Mar., 1997, pp. 73-93
“Simone Weil and Wallace Stevens: The Notion of Decreation as Subtext in ‘An Ordinary Evening in New Haven’”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 151-171.
“The Language of the Marketplace and the Language of the Nuptial Chamber: The Theological Significance of Distinction in the Philosophy of Language”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 31-37
“Simone Weil and Wallace Stevens: The Notion of Decreation as Subtext in ‘An Ordinary Evening in New Haven’”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 151-171
“George Grant on Simone Weil as Saint and Thinker”
in Arthur Davis, editor, George Grant and the Subversion of Modernity: Art, Philosophy, Politics, Religion and Education(Toronto: University of Toronto Press) pp.263-281
“The Nature of Narrative in Simone Weil’s Vision of History: The Need for New Historical Roots”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 55-68
“Simone Weil on Morality and Literature”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 99-107
“The Tragic Poetics of Simone Weil”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 109-121
“Sacramental Tension: Divine Transcendence and Finite Images in Simone Weil’s Literary Imagination”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 85-97
