Books & Plays read more
Written

Simone Weil, une Juive antisémite?

Robert Chenavier read

Abstract: A persistent controversy pursues the memory of Simone Weil about the alleged “anti-Semitism” in some of her writings. It is a fact that, within the framework of the spiritual evolution that led Simone Weil to approach Christianity, she made some harsh remarks on the religion of the Hebrews, since her project was to purge the Christian religion of its Jewish imprint in favor of its Greek component. Can such anti-Hebraism be equated with anti-Semitism? The question continues to surface on a regular basis. Robert Chenavier, who edited the last published volumes of the Works of Simone Weil, methodically takes up the matter, on the basis of his intimate knowledge of the author’s thought, in order to dispel once and for all the fallacies and interpretations that fuel this accusation. He examines, in particular, the text of Simone Weil considered to be the most “anti-Semitic,” which she wrote while in London, this in connection with her work for the Free French. This book will be the definitive work on the subject. {translation adapted from Intelligent Translator app}

Paris: Gallimard (2021)
Written

Venice Saved

Simone Weil, ed. & trans by Silvia Panizza & Philip Wilson read

Towards the end of her life, the French philosopher and mystic Simone Weil (1909-43) was working on a tragedy, Venice Saved. Appearing here in English for the first time, this play explores the realisation of Weil’s own thoughts on tragedy. A figure of affliction, a central theme in Weil’s religious metaphysics, the central character offers a unique insight into Weil’s broader philosophical interest in truth and justice, and provides a fresh perspective on the wider conception of tragedy itself.

The play depicts the plot by a group of Spanish mercenaries to sack Venice in 1618 and how it fails when one conspirator, Jaffier, betrays them to the Venetian authorities, because he feels compassion for the city’s beauty.

The edition includes notes on the play by the translators as well as introductory material on: the life of Weil; the genesis and purport of the play; Weil and the tragic; the issues raised by translating Venice Saved. With additional suggestions for further reading, the volume opens up an area of interest and research: the literary Weil.

New York: Bloomsbury Academic, 2019

Reviewed

Ronald Collins, “The Play’s the Thing: On Simone Weil’s Venice Saved,” Los Angeles Review of Books, Aug. 28, 2019
Written

Sacrifice Between West and East: René Girard, Simone Weil and Mahatma Gandhi on Violence and Non-Violence

Wolfgang Palaver read

Wolfgang Palaver In this chapter, Wolfgang Palaver looks at developments in Rene Girard’s later work, in particular, at Girard’s assessment that he had earlier unfairly “scapegoated” sacrifice in an effort to rid humanity of violence. In recognition of the need to address — not erase — the violence that is with us, Girard developed his thinking in at least two ways. The first is his growing interest in how an “ontology of peace,” which Girard held undergirds all faith traditions, is expressed in non-Christian faiths. Second is his insight that Jesus’s death on the cross tells us not only about the evils of sacrifice-as-murder but also about the productive possibilities of sacrifice-of-self, giving for the sake of others. To explore what such donative sacrifice consists in, Palaver investigates the theories of oppression, resistance, and sacrifice in the works of Simone Weil and Mahatma Gandhi.

in in Marcia Pally, ed., Mimesis and Sacrifice Applying Girard’s Mimetic Theory Across the Disciplines, Bloomsbury (2019), pp. 37-50
Written

The Red Virgin: A Novel Inspired by the Life of Simone Weil

Clark McCann read

The Red Virgin, by Clark McCann, reimagines the life of the French philosopher, Simone Weil (1909-1943) through the character of Sabine Arnaud. Weil acquired the pejorative nickname, “red virgin,” at the Sorbonne because of her radical politics, mannish clothes, and asexual nature. During her short life, Weil frustrated all those who might claim her for their own. She was a Christian who refused baptism, a Jew who denied her heritage, a Marxist who denounced communism, and a towering intellect who condemned the intelligentsia for their social privilege and moral cowardice. Perhaps most telling, she was a prophet of love who shrank from the touch of man or woman. The Red Virgin brings the mind and spirit of this fascinating woman to life in a philosophical novel with a plot worthy of a thriller.

The story opens in Los Angeles in 1976. Craig Martin, a jaded sitcom writer, discovers clues among his mother’s effects that a long-dead French philosopher, Sabine Arnaud, might be his birth mother. Arnaud, a refugee from Occupied France, had been a neighbor of his mother in New York in 1942, the year of his birth. Arnaud then left for London, where she hoped to join de Gaulle’s Free French Forces, only to fall ill and die of tuberculosis before realizing her dream of fighting the Nazis.  Martin sets off for Europe in search of Arnaud’s past and stumbles on a wartime secret that puts his life in danger. Arnaud’s death may have been faked by British Intelligence before sending her on a mission to Occupied France. As the mystery shrouding Arnaud’s life and death unfolds, Martin follows her trail, a step ahead of those who would silence them both. Alternating between the 1970s and World War II Europe, we follow Martin and Arnaud on their separate journeys, across three continents, until Martin finds the answers he seeks in the remote mountains of Ethiopia.

Issaquah, WA: Solesmes Press, 2019
Written

Love in the Void: Where God Finds Us

Simone Weil

Laurie Gagne, ed., Plough Publishing House