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Cinema as Metaxu

Anat Pick read

In this article, Simone Weil’s notion of the material world as “metaxu,” an in-between or bridge between this world (gravity) and the absolute (grace), is positioned within the tradition of cinematic realism to consider how the natural world in film functions as a bridge to the supernatural. In this way, the cinema intertwines ecology and theology in ways that are particularly resonant now, at a time of large scale environmental collapse and the search for new values to support human and other lives.

The Jugaad Project
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The Problem of Force: Simone Weil’s Supernatural Justice

Scott Beauchamp read

The Point, web only, (August 7, 2020).
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The Famous Book She Never Wrote: The story of Simone Weil’s “Gravity and Grace”

Ronald Collins read

Gravity and Grace is one of her most-read works. First published in France in 1947, La Pésanteur et la grâce was received as a manifesto of faith for those searching for God’s presence in the black holes of an indifferent universe. Despite the claim on the book’s cover and title page, it is not a book that Weil wrote. True, its words were hers. But the conception, selection, organization, and rearrangement of those words into 39 compressed chapters with aphorism-like appeal were not her work product.

Washington Independent Review of  Books, April 16, 2020