The Power of Words
UK: Penguin, 2020
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The Red Virgin: A Novel Inspired by the Life of Simone Weil
The Red Virgin, by Clark McCann, reimagines the life of the French philosopher, Simone Weil (1909-1943) through the character of Sabine Arnaud. Weil acquired the pejorative nickname, “red virgin,” at the Sorbonne because of her radical politics, mannish clothes, and asexual nature. During her short life, Weil frustrated all those who might claim her for their own. She was a Christian who refused baptism, a Jew who denied her heritage, a Marxist who denounced communism, and a towering intellect who condemned the intelligentsia for their social privilege and moral cowardice. Perhaps most telling, she was a prophet of love who shrank from the touch of man or woman. The Red Virgin brings the mind and spirit of this fascinating woman to life in a philosophical novel with a plot worthy of a thriller.
The story opens in Los Angeles in 1976. Craig Martin, a jaded sitcom writer, discovers clues among his mother’s effects that a long-dead French philosopher, Sabine Arnaud, might be his birth mother. Arnaud, a refugee from Occupied France, had been a neighbor of his mother in New York in 1942, the year of his birth. Arnaud then left for London, where she hoped to join de Gaulle’s Free French Forces, only to fall ill and die of tuberculosis before realizing her dream of fighting the Nazis. Martin sets off for Europe in search of Arnaud’s past and stumbles on a wartime secret that puts his life in danger. Arnaud’s death may have been faked by British Intelligence before sending her on a mission to Occupied France. As the mystery shrouding Arnaud’s life and death unfolds, Martin follows her trail, a step ahead of those who would silence them both. Alternating between the 1970s and World War II Europe, we follow Martin and Arnaud on their separate journeys, across three continents, until Martin finds the answers he seeks in the remote mountains of Ethiopia.
Issaquah, WA: Solesmes Press, 2019
Venice Saved
Towards the end of her life, the French philosopher and mystic Simone Weil (1909-43) was working on a tragedy, Venice Saved. Appearing here in English for the first time, this play explores the realisation of Weil’s own thoughts on tragedy. A figure of affliction, a central theme in Weil’s religious metaphysics, the central character offers a unique insight into Weil’s broader philosophical interest in truth and justice, and provides a fresh perspective on the wider conception of tragedy itself.
The play depicts the plot by a group of Spanish mercenaries to sack Venice in 1618 and how it fails when one conspirator, Jaffier, betrays them to the Venetian authorities, because he feels compassion for the city’s beauty.
The edition includes notes on the play by the translators as well as introductory material on: the life of Weil; the genesis and purport of the play; Weil and the tragic; the issues raised by translating Venice Saved. With additional suggestions for further reading, the volume opens up an area of interest and research: the literary Weil.
New York: Bloomsbury Academic, 2019
Reviewed
Ronald Collins, “The Play’s the Thing: On Simone Weil’s Venice Saved,” Los Angeles Review of Books, Aug. 28, 2019
Sacrifice Between West and East: René Girard, Simone Weil and Mahatma Gandhi on Violence and Non-Violence
Wolfgang Palaver In this chapter, Wolfgang Palaver looks at developments in Rene Girard’s later work, in particular, at Girard’s assessment that he had earlier unfairly “scapegoated” sacrifice in an effort to rid humanity of violence. In recognition of the need to address — not erase — the violence that is with us, Girard developed his thinking in at least two ways. The first is his growing interest in how an “ontology of peace,” which Girard held undergirds all faith traditions, is expressed in non-Christian faiths. Second is his insight that Jesus’s death on the cross tells us not only about the evils of sacrifice-as-murder but also about the productive possibilities of sacrifice-of-self, giving for the sake of others. To explore what such donative sacrifice consists in, Palaver investigates the theories of oppression, resistance, and sacrifice in the works of Simone Weil and Mahatma Gandhi.
in in Marcia Pally, ed., Mimesis and Sacrifice Applying Girard’s Mimetic Theory Across the Disciplines, Bloomsbury (2019), pp. 37-50
Love in the Void: Where God Finds Us
Laurie Gagne, ed., Plough Publishing House
Book Review: Simone Weil: Late Philosophical Writings
Reviewing Simone Weil: Late Philosophical Writings, Eric Springsted ed, trans by Springsted & Lawrence E. Schmidt, Notre Dame: University of Notre Dame Press, 2015.
Irish Theological Quarterly, vol. 82, no. 3 (July 4, 2017)
The Origin of the Political: Hannah Arendt or Simore Weil?
Vincenzo Binetti & Gareth Williams, trans., New York: Fordham University Press,
Decreation and the Ethical Bind
In Simone Weil’s philosophical and literary work, obligation emerges at the conjuncture of competing claims: the other’s self-affirmation and one’s own dislocation; what one has and what one has to give; a demand that asks for too much and the extraordinary demand implied by asking nothing. The other’s claims upon the self―which induce unfinished obligation, unmet sleep, hunger―drive the tensions that sustain the scene of ethical relationality at the heart of this book.
Decreation and the Ethical Bind is a study in decreative ethics in which self-dispossession conditions responsiveness to a demand to preserve the other from harm. In examining themes of obligation, vulnerability, and the force of weak speech that run from Levinas to Butler, the book situates Weil within a continental tradition of literary theory in which writing and speech articulate ethical appeal and the vexations of response. It elaborates a form of ethics that is not grounded in subjective agency and narrative coherence but one that is inscribed at the site of the self’s depersonalization.
New York: Fordham University Press, 2020
Yoon Sook Cha received her Ph.D. in Rhetoric from the University of California, Berkeley.
Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil
This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches.
Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
Chicago: The University of Chicago Press (2017)
Simone Weil: Late Philosophical Writings
Eric O. Springsted and Lawrence E. Schmidt, trans., University of Notre Dame Press
