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ONLINE CLASS: “Simone Weil: Secular Saint” (Nov. 2022)

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Lecture-Based with Discussion (hosted by Politics  & Prose Bookstore, Washington, D.C.)

Simone Weil lived between 1909 and 1943, her short life bracketed by the First and Second World Wars and shaped by the political and economic upheavals that came between.  She registered the anguish of her time with exquisite sensitivity and felt called in the face of this suffering to rethink her collapsing civilization to its roots.  In the 1930s, she was active on the political left, involving herself in trade union politics worker education and the Spanish Civil War.  Albert Camus called her essays of this period “the most penetrating and prophetic contributions to Western social and political thought since Marx.”  Then, in her last years, a mystical spiritual perspective unexpectedly opened to her, and she came, she said, “to know the love of God as intimately as the smile of a friend.” Despite her personal devotion to the Christian Gospel, however, she refused baptism into the Christian Church just as firmly as she refused to identify herself with the Judaism of her family heritage. She died alone in a British sanitorium where she was being treated for tuberculosis at age 34, defying the orders of her doctors to eat a heathy diet on the grounds that she would take no more than her compatriots in the French Resistance had available to them.

Genuine originality is almost unimaginable today in the moral, political and religious dimensions of our lives and societies. We rightly sense that were it to appear, it would be strange and deeply disturbing. This is the importance and fascination of Simone Weil. She puts a human face on the suffering of those who are starving for justice, for truth, for human dignity and love – in other words, all of us – and challenges us to allow our attention to dwell on what is all around us, yet remains unseen.

In his highly acclaimed biographical study of Simone Weil, Robert Coles, distinguished professor of Psychiatry and Pulitzer Prize winner, characterizes her as a brilliant and effective person whose life and death are most remarkable for the paradoxes with which they confront and challenge each of us as human beings. Through a close reading of several her best-known essays, this course will attempt to bring those paradoxes into clear relief as a focus for personal reflection.

  • Six Thursdays: November 3, 10, 17, (no class 11/24- Thanksgiving), and December 1, 8, 15, from 6:30 to 8:30 p.m. EST Online


  • $170.00 per person

Required books:

  • Simone Weil: An Anthology, ed. Sian Miles, 9780802137296
  • Simone Weil: A Modern Pilgrimage, by Robert Coles, 9781683362975

Frank Ambrosio is a Professor of Philosophy at Georgetown University. After studying Italian language and literature in Florence, Italy, he completed his doctoral degree at Fordham University with a specialization in contemporary European Philosophy. He is the founding Director, with Edward Maloney, of the Georgetown University “My Dante Project” a web-based platform for personal and collaborative study of Dante’s Commedia. In 2014, he acted as lead instructor for the launch of an ongoing web-based course (MOOC) on Dante offered by EDX which currently has been utilized by over 20,000 students. He is the author of Dante and Derrida: Face to Face, (State University of New York Press, 2012).

He has received five separate awards from Georgetown University for excellence in teaching. He is the former Director of the Doctor of Liberal Studies Program, and in 2015, he received the Award for Faculty Achievement from the American Association of Graduate Liberal Studies Programs. In October 2009, The Teaching Company released his course, “Philosophy, Religion and the Meaning of Life,” a series of 36 half-hour video lectures which he created for the “Great Courses” series. At Georgetown, he teaches courses on Existentialism, Postmodernism, Hermeneutics, and Dante.

In addition to his work at Georgetown, he co-directs The Renaissance Company with Deborah R. Warin, leading adult study programs focusing on Italian Renaissance culture and its contemporary heritage.


Simone Weil: Waiting for God (parts 1 and 2)–The God Frequency

Abi Doukhan watch

Abi Doukhan is an Associate Professor of Philosophy at Queens College of the City University of New York (CUNY), and holds the Pearl and Nathan Halegua Family Initiative in Ethics and Tolerance. She holds a Masters in philosophy from the Sorbonne and a Ph.D in philosophy from the University of Nanterre, Paris, France. Her recent publications include Emmanuel Levinas: A Philosophy of Exile (Bloomsbury, October 2012), and Biblical Portraits of Exile (Routledge, June 2016).

YouTube class lecture (May 13, 2o22)


On Simone Weil and Giotto

Alexander Nemerov watch

Keynote Lecture delivered at the 2022 American Weil Society’s Friday Web Series, April 9, 2022.

Alexander Nemerov Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. His publications include Summoning Pearl Harbor (2017); Soulmaker: The Times of Lewis Hine (2016); Icons of Grief: Val Lewton’s Home Front Pictures (2005); and The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824 (2001). His most recent publication is Fierce Poise: Helen Frankenthaler and 1950s New York (2021).

Co-sponsored by the American Weil Society and the Snite Museum of Art as part of “Translations of Beauty: Simone Weil and Literature,” XL Colloquy of the American Weil Society


The Pleasures and Pitfalls of Translating Simone Weil

American Weil Society event watch

Translating is a formidable task. Three translators of Simone Weil’s works: Ros Schwartz, translator of Weil’s L’Enracinement (forthcoming from Penguin UK) and Philip Wilson and Sylvia Panizza, translators of Weil’s Venise Sauvée and poems (Bloomsbury Press) discussed some of the challenges.

Tess Lewis, an internationally recognized translator, moderated the discussion.


Black Sun: A Letter to a Brother

Valery Panyushkin watch

From Valery Panyushkin, a Russian writer, posted on YouTub. It’s beautiful and heartbreaking, and I very much regret that so little of its power comes through without the rhyme and meter of the language.

Still, here is a highly imperfect translation (adapted from one by Arik Kruglyak). Even if it doesn’t work for you, please forward the YouTube link to any Russian speakers you know; I hope they were as affected by it as I was. — Eugene Volokh