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Hungry for Beauty: Simone Weil’s Inversion of Kant’s Aesthetics

Lyra Koli read

This master’s dissertation argues that Simone Weil’s aesthetics can be seen as an inversion of Immanuel Kant’s, concerning the relation between natural dependency and beauty. Kant’s notions of beauty and sublimity are shown to be founded on overcoming hunger and fear, and the relevance of the immortality postulate for the Critique of the Power of Judgment is demonstrated. Following Angelica Nuzzo’s Ideal Embodiment, Kant’s aesthetics is understood as describing a transcendental embodiment, where the feeling of life is an experience of the “humanity” of man. This “humanity” is argued as exclusionary in that it rests on an overcoming of hunger and fear. Furthermore, his notions of finality without an end and disinterested pleasure are described as reinforcing the view of man’s superiority to the rest of nature. The extensive Kantian influences on Weil’s aesthetics often claimed to be mainly Platonically inspired, are presented. Through a critical examination of beauty and eating in her life and work, the common idea of her aesthetics as one of ascetic renunciation is disputed. Instead, her aesthetics is found to be a radical materialist reinterpretation of some of Kant’s central notions, particularly finality without an end and disinterested pleasure, where hunger, fear and suffering remain present. An examination of the metaphors of eating used by Weil to describe beauty illustrates how her aesthetics reverses the relation between man and his natural dependency: instead of an immortal moral humanity, free from hunger and fear, the center of her aesthetics is the very mortal muddle Kant ostensibly overcame. For Weil, beauty is not an outline for man’s superiority; instead, it makes it possible for us to love the fact that we are not all, but part of the world of eating and being eaten.

Philosophy: Aesthetics and Art Theory: Kingston University, London.
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Effing the Ineffable: The Mysticism of Simone Weil and Ludwig Wittgenstein

K G M Earl read

Both Simone Weil and Ludwig Wittgenstein hold mysticism—i.e., the belief in something utterly transcendent—centrally. The mysticism present in Wittgenstein’s Tractatus Logico- Philosophicus presents a problem: if “the mystical” is “deep” nonsense, and there is something important that cannot be sensibly presented in language, we are left in an undesirable situation. The mystical is taken to be of paramount importance but is ultimately inaccessible to reason. Weil, starting with political and theological considerations, arrives at a similar problem. A mystical position yields the “problem of mysticism”: There is the mystical; it is of crucial importance, and it is inaccessible to our reason. Weil’s mystical praxis of decreation is a solution to the problem. This does not present a way that we can come to the mystical, but a way that we can become aware of its revelation, which bypasses our reason.

Dalhousie University Halifax, Nova Scotia, MA dissertation.
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‘Negative Faith: The Moment of God’s Absence’: Simone Weil on Affliction

Sarwar A Abdullah read

This thesis focuses on Simone Weil’s philosophical, ethical, and religious perspectives on affliction by clarifying the essential difference between what is necessary and what is good. According to Weil, reality is governed by blind physical and moral necessities. She claims that we experience necessity as constraint and constraint as suffering. But affliction, she claims, is something essentially different; it is not reducible to mere suffering. I will argue that Weil’s conception of affliction can be best understood as a momentarily ‘numinous experience’ of God’s absence or the feeling of the absolute good. Numinous experience, according to Rudolf Otto, is a kind of experience that contains a quite specific moment and which remains ineffable. What is ineffable can only be felt. That is, Weil’s investigation of affliction concentrates on the feeling response to the absence or silence of God, the feeling which remains where language fails.

A thesis submitted to Saint Mary’s University, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Theology and Religious Studies, July 2014