Keywords

Militant Liturgies: Practicing Christianity with Kierkegaard, Bonhoeffer, and Weil

Aaron Simmons read

Traditional philosophy of religion has tended to focus on the doxastic dimension of religious life, which although a vitally important area of research, has often come at the cost of philosophical engagements with religious practice. Focusing particularly on Christian traditions, this essay offers a sustained reflection on one particular model of embodied Christian practice as presented in the work of Søren Kierkegaard. After a discussion of different notions of practice and perfection, the paper turns to Kierkegaard’s conception of the two churches: the Church Triumphant and the Church Militant. Then, in light of Kierkegaard’s defense of the latter and critique of the former, it is shown that Kierkegaard’s specific account gets appropriated and expanded in Dietrich Bonhoeffer’s account of “costly grace” and “religionless Christianity,” and Simone Weil’s conception of “afflicted love.” Ultimately, it is suggested that these three think

Religions, vol.12, no. 5 (May 12, 2021)

Sacrifice as the key of unity in the work of Simone Weil

Alejandra Novoa Echaurren read

The aim of this paper is to show how the work of Simone Weil constitutes a profound search for unity of the real. We propose that this unity is given by a sacramental logic. This means that the relationship which God seeks to establish with His creatures configures the paradigm of every true relationship, which core is given by the sacrifice of the egocentric self. This implies that only a change in society, from a predominant contractual logic —therefore transactional— to a sacramental logic, can constitute the necessary mean —μεταξύ — to a personal encounter with others and with the Creator.

Open Insight, vol XII, no. 25 (May-Aug. 2021),  pp. 33-64

Education, Attention and Transformation: Death and Decreation in Tolstoy and Weil

Peter Roberts read

 

What might it mean to engage in an educative struggle with death? Leo Tolstoy’s The Death of Ivan Ilyich helps us to answer that question. Tolstoy’s story depicts the life of a man who, when suddenly faced with the prospect of his own death, is at first unable to comprehend the reality of his situation. He is angry, fearful, and disgusted. As he gradually comes to terms with his mortality, he undergoes a harrowing process of transformation, at the heart of which lies the development of his capacity for attention. Drawing on ideas from the French philosopher and pedagogue Simone Weil, it is argued that Ivan’s experience is consistent with the passage from ‘gravity’, through the void of intense suffering, toward a state of grace.

Roberts, Peter. Education, “Attention and Transformation: Death and Decreation in Tolstoy and Weil.” Studies in Philosophy and Education (2021). Online: https://doi.org/10.1007/s11217-021-09775-8

“Simone Weil for Americans”

Christy Wampole read

Los Angeles Review of Books (April 26, 2021)

Hungarian poet János Pilinszky on Simone Weil

János Pilinszky watch

János Pilinszky (27 November 1921 in Budapest – 27 May 1981 in Budapest) was one of the greatest Hungarian poets of the 20th century. Well known within the Hungarian borders for his vast influence on postwar Hungarian poetry, Pilinszky’s style includes a juxtaposition of Roman Catholic faith and intellectual disenchantment. His poetry often focuses on the underlying sensations of life and death; his time as a prisoner of war during the Second World War and later his life under the communist dictatorship furthered his isolation and estrangement.”

YouTube (posted April 2021)

Related

— Gábor Szmeskó,“The History of the Poetic Mind of János Pilinszky.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, vol. 13 (2020)

A Conversation with Robert Zaretsky | The Subversive Simone Weil (interview)

Ronald KL Collins read

Lewes Public Library, Delaware Division of Libraries