“Simone Weil on Morality and Literature”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 99-107
Keywords
“The Tragic Poetics of Simone Weil”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 109-121
“Sacramental Tension: Divine Transcendence and Finite Images in Simone Weil’s Literary Imagination”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 85-97
“The Character of Don Giovanni in Mozart’s Opera”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 193-183
Looking for Heroes in Postwar France: Albert Camus, Max Jacob, Simone Weil
Hanover, NH: University Press of New England
“Simone Weil and Wallace Stevens: The Notion of Decreation as Subtext in ‘An Ordinary Evening in New Haven’”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 151-171.
“George Grant on Simone Weil as Saint and Thinker”
in Arthur Davis, editor, George Grant and the Subversion of Modernity: Art, Philosophy, Politics, Religion and Education(Toronto: University of Toronto Press) pp.263-281
“The Character of Don Giovanni in Mozart’s Opera”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 193-183
“Simone Weil and Music”
in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 123-148
“The Self-Hatred of Simone Weil”
in No Passions Spent: Essays 1978-1995, New Haven: Yale University Press, pp.171-179
