Keywords

The Theme of Mediation in the Writings of Simone Weil

Janet Patricia Little read

A study of the theme of mediation necessarily involves a consideration of the two poles between which mediation takes place. This study therefore begins with an investigation of what Simone Weil saw to be man’s exile in this world, and his desire for the Good which is God. Since God is unknown and unknowable, this desire cannot be focussed on any particular object, and the soul must experience a void in which there is no compensation for spiritual energy expended. This process is unnatural, however, and painful to man, and he is frequently tempted to focus his desire for the Good on some earthly object; society, by creating the illusion of being greater than the individual, often fulfills this role, and becomes the object of man’s idolatry. If man refuses this idolatry and is willing to hold the contradiction posed by his dual nature he will find that all earthly creatures and objects can be mediators between himself and the God  he desires. In this way exile becomes a fulfilment, and the whole natural realm can speak to man of his supernat1;.ral home. All mediation-themes reach their culmination in Christ, whose suffering is seen as a perpetual cosmic process reconciling the universe with its creator. The study is therefore presented in three sections: dualism, idolatry (false mediation), and mediation proper. These are fully illustrated by reference to the whole sphere of Simone Weil’s meditations, religious, political and philosophical.

Durham University, PhD dissertation, 1970

“Simone Weil on Israel and Rome”

Richard Rees

Modern Age, vol. 14, no. 1, p. 94 (book review)

The Answer of Minerva: Pacificism and Resistance in Simone Weil

Thomas Merton read

in Thomas Merton, Faith and Violence: Christian Teaching and Christian Practice, Notre Dame, Indiana: University of Notre Dame Press, (book review of Jacques Cabaud: Simone Weil: A Fellowship in Love)

“The Answer of Minerva: Pacificism and Resistance in Simone Weil”

Thomas Merton

in Thomas Merton, Faith and Violence: Christian Teaching and Christian Practice, Notre Dame, Indiana: University of Notre Dame Press, (book review of Jacques Cabaud: Simone Weil: A Fellowship in Love)

Simone Weil: A Sketch for a Portrait

Richard Rees read

Abstract: Simone Weil was a remarkable woman: a teacher, a factory worker, a field hand, a traveler, and a frontline volunteer in the Spanish Civil War; yet she found time to write and to philosophize about life and religion. Her short life (1909–43) spanned two world wars, al­though she did not live to see the end of the second one. The reac­tions of this French Jewish woman to some of the facets of these conflicts may seem surprising; her sympathies and affirmations were perhaps too extreme, but she did think for herself in an un­orthodox and challenging way and had a passionate sense of justice. Mr. Rees believes that this book may contain more illumina­tion for the present world’s spiritual needs than any other twentieth-­century commentary. Some of Simone Weil’s proposals concerning patriotism, obligations, freedom of expression, and the needs of the soul may seem Utopian, but they would not be unreasonable in a society adopting her moral code. Simone Weil was an intellectual with an essentially tragic view of life, but she was not removed from the everyday life. Her thought was unique and cannot be classified. She was neither a re­actionary nor a progressive but a great soul and a brilliant mind, as T. S. Eliot expressed it, “with a kind of genius akin to that of the saints.” Since she explored problems that confront modern man, the reader will find thoughtful stimulation in her work. In a previ­ous book, Brave Men, the author likened her to D. H. Lawrence—both lonely visionaries suffering from a devouring spiritual hunger. This book gives a condensed but penetrating account of Miss Weil’s interests. Since her writings cover more than philosophy and religion, the reader will feel compelled to become more familiar with her work.

Carbondale: Southern Illinois University Press, 1966.

Related

Simone Weil: Seventy Letters

London: Oxford University Press, Richard Rees trans., reprinted with foreword by Eric Springsted, Wipf and Stock