Philosophy

Peter Winch: Unity: Presupposition or Demand?

Peter Winch (Steven Burns trans.) read

This is a translation of a paper which the late Peter Winch wrote in German for a 1987 conference. He deals with fundamental issues in ethics, especially with the Wittgensteinian idea that “primitive reactions” play a crucial role in the formation of moral concepts. It also responds to an important objection, namely that primitive reactions can be as much immoral as moral. Ranging as it does over Winch’s interests in Wittgenstein, Simone Weil, and Plato, the paper can serve as a concise introduction to Winch’s work.

Philosophical Investigations, vol. 44, no. 2, July 9, 2021

The Future of Thinking in a Digital Age

Ronald KL Collins read

How we think is shaped by what we read and how we read. The “how” is a vital part of the equation. Much the same holds true for writing and how we express our thoughts. In both instances, method should play its part though it must be neither mechanical nor categorical. Rather, such method should be a way of opening the mind rather than cabining it. Yet so much of the process of contemporary scholarship cuts against this grain. Why?

Epoché, issue # 41 (June 2021)

The philosophy of being good

Robert Zaretsky read

Both the Anglo-Irish novelist Iris Murdoch and the French mystic Simone Weil had the idea of the ‘good’ at the centre of their philosophy – and both tried to resolve the tension between thinking and ‘doing’ in their own way.


The Tablet
(June 23, 2021)

Theatre project explores the philosophy of French mystic Simone Weil

Staff Reporter read

‘Simone Weil: Performance as an experience of nothingness’ is a new theatre research project by Dr. Tyrone Grima, which explores an approach to theatre-making, inspired by the philosophy and the spirituality of the French mystic, Simone Weil.

The project translates in a practical and experiential manner the insights of the spirituality and the philosophy of Simone Weil, particularly those on art and theatre, to the performative medium. This with the aim of discovering a way of putting into practice the theoretical framework of Weil in theatre-making. Central to the approach is the notion of ‘nothingness’.

Newsbook, June 10, 2021.

Militant Liturgies: Practicing Christianity with Kierkegaard, Bonhoeffer, and Weil

Aaron Simmons read

Traditional philosophy of religion has tended to focus on the doxastic dimension of religious life, which although a vitally important area of research, has often come at the cost of philosophical engagements with religious practice. Focusing particularly on Christian traditions, this essay offers a sustained reflection on one particular model of embodied Christian practice as presented in the work of Søren Kierkegaard. After a discussion of different notions of practice and perfection, the paper turns to Kierkegaard’s conception of the two churches: the Church Triumphant and the Church Militant. Then, in light of Kierkegaard’s defense of the latter and critique of the former, it is shown that Kierkegaard’s specific account gets appropriated and expanded in Dietrich Bonhoeffer’s account of “costly grace” and “religionless Christianity,” and Simone Weil’s conception of “afflicted love.” Ultimately, it is suggested that these three think

Religions, vol.12, no. 5 (May 12, 2021)