Recommended

Theory and Praxis: Simone Weil and Marx on the Dignity of Labor

Robert Sparling read

Simone Weil had an ambivalent attitude toward Marx. While she thought that the young Marx’s celebration of labor had “lyrical accents,” she ultimately believed that Marx had neglected his own insights, embracing a blind worship of mechanization and a theory of history and revolution that was insufficiently attentive to the material conditions of workers. Marx, in her view, was insufficiently materialist and excessively wedded to a hierarchical model of science that maintained the domination of management. Weil and Marx’s attitudes toward the dignity of labor and the necessary conditions for socialism are analyzed. The most significant cleavage between them is ultimately due to the differing manner in which they conceive of the relationship between thought and action. Through this comparison, the philosophical underpinnings of the two radically different conceptions of labor and its dignity as a human activity are explained.

The Review of Politics, vol. 74, no. 1, pp. 87-107

The Living Philosophy of Simone Weil

The Living Philosophy channel watch

Albert Camus called the philosopher Simone Weil “the only great spirit of our times.” T.S. Eliot said she was the greatest saint of the 20th century. Charles de Gaulle said she was insane. But who is she and what is the Simone Weil philosophy? Despite dying at the age of 34, Simone Weil lived a life that rivaled any philosopher. And it was the authentic life of a philosopher following her inner compass. She did not fall in with the intellectual milieu of her time by becoming a public intellectual (which was far from a matter of intelligence — she finished 1st in her class for philosophy at France’s elite university the École Normale Supérieure beating out Simone de Beauvoir in second place). She was born into a Jewish family and raised agnostic and yet found herself drawn towards religion; she fought in the Spanish Civil War and worked in factories for a year to understand the working class.

The Living Philosophy (YouTube), June 20, 2021

‘In the beginning was the deed’

David Cockburn read

Winch’s readings of Wittgenstein and Weil call for a significant rethinking of the relation between ‘metaphysics’ and ‘ethics’. But there are confusions, perhaps to be found in all three of these writers, that we may slip into here. These are linked with the tendency to see idealist tendencies in Wittgenstein, and with his remark that giving grounds comes to an end, not in a kind of seeing on our part, but in our acting. The sense that we think we see in this suggestion is dependent on a distorted conception of ‘justification’. Getting clear about this involves coming to appreciate just how much of our nature as ethical beings is engaged when we do philosophy.

David Cockburn, Emeritus Professor, University of Wales.

“Simone Weil & the Impossible: A Radical View of Religion and Culture”

David Tracy

in David Tracy, Filaments: Theological Profiles, Chicago: University of Chicago Press

The Death of Simone Weil (jazz perf.)

Darrell Katz (composer) Rebecca Shrimpton, Jazz Composers Alliance (JCA) Orchestra Abby, and Norm Group listen

Simone Weil was a Jew obsessed with Christian and Buddhist worldviews, a mystic who claimed to have visions of a realm beyond reality, and a reclusive philosopher who starved herself to death in 1941.

With music by Darrell Katz and text by Paula Tatarunis, “The Death of Simone Weil” deals with wild imagination, German occupation, desire, fishing, and the Pope. Weil’s story unfolds like a surreal jazz improvisation that seamlessly mixes modern composition and the entire jazz legacy into a mature and personal style.

The alto voice of Rebecca Shrimpton effortlessly captures the subtle shadings of the starkly beautiful text. Boston’s powerfully virtuosic Jazz Composers Alliance Orchestra accompanies with fistfuls of fire.

“The Death of Simone Weil” stands out in the jazz vocal tradition in terms of both scale and ambition, and whose depth and economy of expression are worthy of the subject. All in all, it’s an exciting soirée with the far-out, the insane, and the beautifully strange.