Recommended

Simone Weil’s Phenomenology of the Body

Lissa McCullough read

Abstract: Major thinkers of the twentieth-century (Husserl, Heidegger, Wittgenstein, Whitehead) explored the conditions for the possibility of perception, language, and thought, and Merleau-Ponty in particular addressed the physi- cal body as a condition of existing and being situated in the world. Although French philosopher Simone Weil (1909–1943) has not been recognized as belonging in this stream of philosophical history, this article seeks to dem- onstrate that Weil was a pioneering phenomenologist of the body; for remarkably like Merleau-Ponty—yet more than a decade before him in the early 1930s—Simone Weil’s thinking centered on the foundational role of the body in structuring thought and ordering the world. The body is the first and primary orderer of experience for Weil: it grasps relations intuitively, pre-linguistically, and mediates action and thought. Weil’s body-thinking reconfigures the basis of thinking itself, positing that bodily movement is the factor sine qua non that enables ordered spatial-temporal perception, a perception on which the most abstract reaches of language and thought depend.

Comparative and Continental Philosophy, vol. 4, no. 2 (2012): pp. 195–218

A just and loving gaze

Deborah Casewell read

Simone Weil: mystic, philosopher, activist. Her ethics demand that we look beyond the personal and find the universal.

Excerpt:” . . . Weil’s ethics can be reconstructed from three key texts written in 1943, the last year of her life. These are the essay ‘La Personne et le sacré’ (1957), the manifesto ‘Draft for a Statement of Human Obligations’, and her book The Need for Roots (1949). Written while she was working in London for the Free French forces, these texts explore several key concepts in Weil’s ethical thought – that ethical action is grounded in our obligation to something impersonal and universal in the other, not in rights; that this obligation is expressed best in the attitude of attention, or reading, towards the other person; and that this obligation is grounded not in the world but outside it. This latter aspect draws both from her philosophical love of Plato and her own religious convictions, stemming from a series of mystical experiences and practices, which brought her to, but kept her at the door of, the Catholic Church. She remained as fiercely singular in this respect as in all others, though her outlook was broadly Christian.

These concepts are evocatively drawn out in the essay ‘La Personne et le sacré’, translated variously as ‘Human Personality’ or ‘What Is Sacred in Every Human Being?’ Here, she uses two examples to illustrate her ethical vision and challenge our immediate idea of why and how we should act towards others. She begins by focusing on what appears to be a rather common-sense approach to the question of how we should relate to other people – we should look at each of them as a person, with a personality, a certain je ne sais quoi, which we respond and relate to. This is a form of personalism. . . .”  {full text in link}

Deborah Casewell is a Humboldt Research Fellow in philosophy at the University of Bonn and co-director of the UK-based Simone Weil Network. Her most recent book is Eberhard Jüngel and Existence: Being Before the Cross (2021).

Aeon (2022)

The Logic of the Rebel: On Simone Weil and Albert Camus

Robert Zaretsky read

Excerpt: “. . . . The letter writer and analyst, it turns out, had more than tuberculosis in common. The former, Albert Camus, and the latter, Simone Weil, went on to become two of France’s most famous thinkers and writers. Camus had already established himself during the war not just as the author of The Stranger and The Myth of Sisyphus, but also the editor of the Resistance newspaper Combat. By the time of France’s liberation, the French-Algerian writer had become the face — a rather Humphrey Bogartian one at that — of the French Resistance. Sixty years later — he died in a car crash in January 1960 — Camus is also the face of French existentialism.

As for Simone Weil, fame had to wait. She certainly did not seek it out — as evidenced by the many contradictory things she did during her short life. Weil taught philosophy to middle-class students and Greek tragedy to industrial workers; she organized French pacifist movements and carried a gun alongside republicans during the Spanish Civil War; she was fluent in Greek, Latin, English, and German, and worked on assembly lines in a series of factories; she was born into a secular French-Jewish family and died as a near-convert to Roman Catholicism. . . .”

Los Angeles Review of Books (March 7, 2020)

Robert Zaretsky is the author, among other things, of The Subversive Simone Weil: A Life in Five Ideas (2021).

The philosophy of being good

Robert Zaretsky read

Both the Anglo-Irish novelist Iris Murdoch and the French mystic Simone Weil had the idea of the ‘good’ at the centre of their philosophy – and both tried to resolve the tension between thinking and ‘doing’ in their own way.


The Tablet
(June 23, 2021)

Questioning Greece with Heidegger and Simone Weil

Maria Villela-Petit read

Abstract: “In this book a long-time student of phenomenology and of Greek art and philosophy stages a “loving quarrel” between two daring thinkers who loved Greece but had diametrically opposed interpretations of its legacy. Maria Villela-Petit brings out unsuspected strengths in Simone Weil’s readings of Homer, Plato, and Greek Tragedy and unsuspected weaknesses in Heidegger’s historical construction and the tradition of German philhellenism which shaped it.”

Cinema as Metaxu

Anat Pick read

In this article, Simone Weil’s notion of the material world as “metaxu,” an in-between or bridge between this world (gravity) and the absolute (grace), is positioned within the tradition of cinematic realism to consider how the natural world in film functions as a bridge to the supernatural. In this way, the cinema intertwines ecology and theology in ways that are particularly resonant now, at a time of large scale environmental collapse and the search for new values to support human and other lives.

The Jugaad Project

“Ideology as Idolatry”

Alexandra Féret

in Sophie Bourgault & Julie Daigle, eds., Simone Weil, Beyond Ideology?, New York: Palgrave Macmillan, pp. 143-160