“Why am I being Hurt?”
Examined Life, June 28, 2021
Examined Life, June 28, 2021
To what extent can man suffer God? The verb ‘suffering’ as such is ambiguous, for it can either mean bearing ‘pain’ (‘to suffer from’), or tolerating something. In other words, ‘suffering’ can be both intransitive and transitive. Whereas the first meaning seems to be predominantly passive, the second, while still fairly passive, is more active. In both cases, however, a kind of interpenetration of both ‘parties’ is implied: that which I am suffering is somehow inside me, whether I want it or not. Anyhow, the question, ‘can man suffer God?’, turns out to be in need of clarification before it can be answered at all.
In this contribution, I will study a Jewish author who ‘exchanged’ her Judaism for Christianity: Simone Weil (1909-1943). I will try to see what she writes about suffering God, it being my hypothesis that suffering God is a more adequate notion than the vaguer ‘experiencing’ God. Suffering God, or rather, suffering divine things might be a notion accounting for the conflation of ethical, spiritual, and global dimensions. I will try to shed some light on Simone Weil’s views by relating them to some motives from the Jewish mystical tradition: ‘cosmoeroticism’, kawanna and tsimtsum.
Mahmoud Masaeli, ed., Spirituality and Global Ethics (Cambridge Scholars Publishing (2017), pp. 9-26
This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches.
Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
Chicago: The University of Chicago Press (2017)
in Spirituality and Global Ethics, Masaeli, Mahmoud, ed., Cambridge Scholars Publishing, pp. 9-26
The French philosopher Simone Weil (1909-1943), a contemporary of Simone de Beauvoir and Jean-Paul Sartre, remains in every way a thinker for our times. She was an outsider, in multiple senses, defying the usual religious categories: at once atheistic and religious; mystic and realist; sceptic and believer. She speaks therefore to the complex sensibilities of a rationalist age. Yet despite her continuing relevance, and the attention she attracts from philosophy, cultural studies, feminist studies, spirituality and beyond, Weil’s reflections can still be difficult to grasp, since they were expressed in often inscrutable and fragmentary form. Lissa McCullough here offers a reliable guide to the key concepts of Weil’s religious philosophy: good and evil, the void, gravity, grace, beauty, suffering and waiting for God. In addressing such distinctively contemporary concerns as depression, loneliness and isolation, and in writing hauntingly of God’s voluntary ‘nothingness’, Weil’s existential paradoxes continue to challenge and provoke. This is the first introductory book to show the essential coherence of her enigmatic but remarkable ideas about religion.
New York: I.B. Tauris
This article explores Simone Weil’s account of the relationship between human suffering and intellectual life, with reference to the issues raised by the allegation that as an enterprise theodicy evinces a failure to ‘take suffering seriously’. The article shows how Weil’s understanding of the relationship between suffering and attention gives a clear and powerful account of the way that compassion – which involves an uncompromising acceptance of suffering – can be discerned in patterns of thought. Nevertheless, it is less clear in her work how these convictions might serve as a guide for theological statements. Weil’s understanding of the Christian conception of life is centered on the experience of finding God present in and through suffering, and this leaves her with the problem of how to reconcile her commitment not to ‘sweeten what is bitter’ with consolations or compensations with her intuition that the truth of creaturely existence is made available through suffering. Through an analysis of the inner contours of this conflict, it is argued that Weil’s central problem is of how to articulate spiritual reality in such a way as to encourage undivided attention.
Studies in Christian Ethics, vol. 27, no. 2, pp. 185-201
Maria Clara Bingemer states she desires to do two things in her essay: “trace the personal and intellectual background against which Weil came to read the Gita” and “discuss some of the main themes which surface in her critical engagement with the text.” To this end, she begins with a brief biographical overview focusing on Weil’s encounter with the Gita. She then turns to a general discussion of how the Gita served as a source of inspiration for Weil, especially in the sense of contradiction giving rise to a spiritual crisis, which can lead to religious transformation through the vehicle of grace. The next section focuses on incarnation and salvation noting similarities and differences between Hinduism and Christianity in the understanding of these. A discussion of the distinction between force and violence in Weil’s work comes next followed by an in-depth discussion of necessity, detachment, and enlightenment. The chapter concludes with a thoughtful consideration of Weil’s critique of the Gita.
The essay appears in Catherine Cornille, ed., Song Divine : Christian Commentaries on the Bhagavad Gita, Leuven, Peeters (2006), pp. 69-89
Cambridge, MA: Cowley Publications.
Communico, vol. 11, pp. 297-304.