The Iliad
Ukraine: Apparent War Crimes in Russia-Controlled Areas
Excerpt: “(Warsaw) – Human Rights Watch has documented several cases of Russianmilitary forces committing laws-of-war violations against civilians in occupied areas of the Chernihiv, Kharkiv, and Kyiv regions of Ukraine. These include a case of repeated rape; two cases of summary execution, one of six men, the other of one man; and other cases of unlawful violence and threats against civilians between February 27 and March 14, 2022. Soldiers were also implicated in looting civilian property, including food, clothing, and firewood. Those who carried out these abuses are responsible for war crimes. . . .”
Human Rights Watch (April 2, 2022)
2022 Ukrainian refugee crisis
Except: “An ongoing refugee crisis began in Europe in late February 2022 after Russia’s invasion of Ukraine. More than 4.3 million refugees have since left Ukraine (as of 5 April 2022), while an estimated 6.5 million people have been displaced within the country (as of 18 March 2022). In total, more than ten million people – approximately one-quarter of the country’s total population – had left their homes in Ukraine by 20 March. By March 24, 2022, according to UNICEF, more than half of all children in Ukraine had been forced to leave their homes. The invasion has caused Europe’s largest refugee crisis since World War II and its aftermath,[6] the first of its kind in Europe since the Yugoslav Wars in the 1990s, and one of the largest refugee crises in the world in the 21st century, with the highest refugee flight rate in the world . . . .” {notes ommitted}
Date visited: 5 April 2022
Commentary on The Iliad or Poem of Force (part 1)
— Part 2 here
Dr. Andy Amato is an Associate Professor of Instruction – Philosophy at the University of Texas at Dallas.
Commentary on The Iliad or Poem of Force (part 2)
— Part 1 here
Dr. Andy Amato is an Associate Professor of Instruction – Philosophy at the University of Texas at Dallas
The Pandemic of Force: A Weilian Review of Apollo’s Arrow
Performing “The Iliad or Poem of Force”: A Q&A Interview with Simona Giurgea
Homer: The Very Idea
Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of Homer’s mystique and their impact since the first recorded mentions of Homer in ancient Greece.
Homer: The Very Idea considers Homer not as a man, but as a cultural invention nearly as distinctive and important as the poems attributed to him, following the cultural history of an idea and of the obsession that is reborn every time Homer is imagined. Offering novel readings of texts and objects, the book follows the very idea of Homer from his earliest mentions to his most recent imaginings in literature, criticism, philosophy, visual art, and classical archaeology.
University of Chicago Press, October 25, 2021
Cahiers du Sud
Homer and Simone Weil: The Iliad sub specie violentiae
Simone Weil’s varied writings are chapters in an autobiography of the mind, best understood in light of the zeal with which she lived life and expressed her thoughts. Although only thirty years old in 1939/40 when she wrote “The Iliad, or The Poem of Force,” she had already confronted a wide range of fundamental issues on a philosophical plane and carried over that struggle into her personal life. The ardor she brought to her intellectual pursuits and to the particular causes to which she devoted her time and energies makes Weil an attractive subject for biographers, as the spate of works on her life and career in the last thirty years attests.
Related
James P. Holoka, Simone Weil’s The Iliad or the Poem of Force: A Critical Edition, Peter Lang Inc. (2006).
