Gravity

Cinema as Metaxu

Anat Pick read

In this article, Simone Weil’s notion of the material world as “metaxu,” an in-between or bridge between this world (gravity) and the absolute (grace), is positioned within the tradition of cinematic realism to consider how the natural world in film functions as a bridge to the supernatural. In this way, the cinema intertwines ecology and theology in ways that are particularly resonant now, at a time of large scale environmental collapse and the search for new values to support human and other lives.

The Jugaad Project

Poetry As Decreation: Impersonality and Grace in T.S. Eliot and Simone Weil

Emily M. King read

This thesis posits that however separated T.S. Eliot and Simone Weil are by circumstance, political affinity, and Church affiliation, their thoughts intersect at a crucial point. While Weil’s theory of decreation and Eliot’s notion of impersonality are often cast as theological and poetic innovations, they both hearken back to the Christian mystical tradition – specifically, the aspect of via negativa. Placed alongside one another, Weil’s poetic mysticism and Eliot’s concern for the spiritual reveal the capacity of poems to decreate and bring the reader to a moment of void that awaits the fulfillment of grace. This thesis will study these topics with express consideration of Eliot’s Four Quartets and Weil’s notebooks, especially Gravity and Grace.

Honor’s Thesis, Department of English, Stanford University, May 2019.

Simone Weil on Colonialism: An Ethic of the Other

J.P. Little, ed. & trans. read

In 1931, Simone Weil read an article by Louis Roubaud in the Petit Parisien that exposed the Yen Bay massacre in Indochina. That article opened Weil’s eyes, and from then until her death in exile in 1943, she cared most deeply about the French colonial situation. Weil refused to accept the contradiction between the image of France as a champion of the rights of man and the reality of France’s exploitation and oppression of the peoples in its territories.
Weil wrote thirteen articles or letters about the situation, writings originally published in French journals or in French collections of her work. J. P. Little’s fluid and clear translations finally introduce to English-speaking scholars and students this important element of Weil’s political consciousness.

J.P. Little, ed. & trans., New York: Rowman and Littlefield, 2003

J. P. Little, one of the world’s most respected scholars of Simone Weil, is the author of Simone Weil: Waiting on Truth and numerous articles and conference presentations on Weil’s life and work. She is lecturer in French (emerita) at St. Patrick’s College, Dublin.