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Attending: An Ethical Art

Warren Heiti read

“Attending addresses a significant gap in the literature on attention. The way Heiti places important twentieth-century authors in conversation with each other is original and well done. This is a very rich and beautiful book.” Sophie Bourgault, University of Ottawa and co-editor of Simone Weil, Beyond Ideology?

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Attending – patient contemplation focused on a particular being – is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness.

Moral theory has been agonized by dualism – motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered by Simone Weil and developed in the work of Iris Murdoch, John McDowell, and Jan Zwicky. According to Weil, virtue is knowledge, knowledge is embodied, and the knower is nested in an ecosystem of relationships. Instead of analyzing and solving theoretical problems, Heiti aims to clarify the terrain by setting up objects of attention from more than one discipline, including not only philosophy but also literature, psychology, film, and visual art.

The traditional picture captures one important type of ethical activity: faced with a moral problem, one looks to a general rule to furnish the solution. But not all problems conform to this model. Heiti offers an alternative: to see what is needed, one attends to the particular being.

Warren Heiti is a professor of philosophy and liberal studies at Vancouver Island University.

McGill-Queen’s University Press (2021)

Panel Discussion: Theo-Politics, Tragedy and Memory

Nicolai Petro, Susannah Black, Paul Grenier, Matthew Dal Santo, Michael Martin, and Vasily Shchipkov watch

Simone Weil Center for Political Philosophy

Against Religious Fellow-Traveling

Taylor Ross read

This essay argues that Simone Weil’s writings suggest a phenomenological method of particular relevance to investigating ethical questions. It begins by presenting evidence that although Weil does not mention phenomenology explicitly, she thinks about ethics in a phenomenological manner. Subsequent sections outline a “phenomenological ethics” derived from Weil’s notion of attention and her hermeneutics of ‘reading’ the world. Since attention sets aside the self and its personal world, this allows for an ethics of self-abdication (decreation) relatively free of influence by the forces of domination. David Rousset’s term “concentrationary universe” is introduced to describe the claim, argued by Hannah Arendt, Giorgio Agamben, and others, that present-day societies show evidence of an increasing reliance on ways of thinking derived from the Nazi concentration camps. Examples are given of applications of Weil’s phenomenological method to the problem of how to recognize signs of potential domination in a concentrationary universe.

Macrina Magazine, no. 6, (December 5, 2020)

The Work of Simone Weil: An Educational Mission

Daniela De Leo read

 The paper investigates the question if Simone Weil’s thought is unitary or fragmentary, if one can speak of a “system” concerning her theoretical approach, and if her works are still current. The paper suggests a re-reading of Weil’s reflections to find in them an educative aim. 

 “A pilgrim of thought 

When one approaches the greatness of Weilian philosophy, one is inevitably taken by very conflicting emotions: this woman of genius inspires strong passions. 

Simone Weil, an ascetic, uncontrollable, overpowering woman, literally fed herself either on the words of peasants and workers or on reading her classic works, forgetting to eat. 

She refused all obliging solutions in order to be always ready to confront herself with the innovation and variety of situations, without examining them through the reassuring methods of memberships. 

 A double misrepresentation of the figure of Simone Weil emerges from the critics’ interpretations: the first one, based on hagiographic criteria, makes

her a separate, singular case, by distinguishing the years of her political commitment from the last years, which are characterized by a mystical and religious experience, and the second one, which attempts to equate her, in all ways, with the other intellectuals of her time. 

From this interpretative hodgepodge, therefore, the image of Simone Weil emerges as that of a sensitive, lucid, and committed intellectual who moves from civil rejection to contemplative acceptance of the fracture between manual and intellectual work, from a complaint of the factory regime to the dream of a domestic industry, and from the condemnation of the Soviet-style State to the proposal for a Constitutional Act that prohibits parties. . . . “

 This paper is based on the report presented in English at the XVII Congreso Internacional del Grupo.  

 Daniela De LeoProfessore Aggregato di Filosofia Teoretica – Università del Salento.  

“Why You Should Think That God Does Not Exist (Simone Weil, Meister Eckhart, and Thomas Aquinas)”

Justin Murphy watch

chatforgod.com

Creating Ethical Societies in a Concentrationary Universe: Simone Weil’s Phenomenological Ethics of Attention

Robert Reed read

Journal of Dharma, vol. 45, no. 4 (Oct-Dec 2020) pp. 529-544.

Cinema as Metaxu

Anat Pick read

In this article, Simone Weil’s notion of the material world as “metaxu,” an in-between or bridge between this world (gravity) and the absolute (grace), is positioned within the tradition of cinematic realism to consider how the natural world in film functions as a bridge to the supernatural. In this way, the cinema intertwines ecology and theology in ways that are particularly resonant now, at a time of large scale environmental collapse and the search for new values to support human and other lives.

The Jugaad Project