Keywords

Simone Weil (French Edition)

Florence de Lussy read

Throughout her life, Simone Weil tried to understand herself and the world and pushed back the horizon of the intelligible to try to think of God. With firmness but using great psychological finesse, she made men’s grandeur and miseries appear in full light. An uncomfortable figure that cannot leave anyone indifferent, she always provokes so many contradictory and often violent reactions. But everyone agrees on one thing: Simone Weil’s strength is her purity.

Florence de Lussy restores this purity of the gaze to us with great honesty, without ever forgetting the excesses and errors of the author of The Need for Roots, depicted here in chiaroscuro. At the end of these pages, it is the great philosopher – who was at the same time a mystic – who imposes herself. A welcome essay, uncompromising and bursting with truth. [translation from the French abstract]

Presses Universitaires de France / Humensis (2021)

Reality and Recurrence: Reflections on Nietzsche and Weil

Stuart Jesson read

Although Simone Weil’s thought is, in some respects, the epitome of all that Friedrich Nietzsche rejected and opposed, there are nevertheless some deep and significant parallels between the two. This chapter considers one aspect of this intriguing resemblance, through consideration of Nietzsche’s conception of the eternal recurrence, and in dialogue with Weil’s aspiration to love all things “because they are real”. Both thinkers have a deep sense of what it means to contemplate and value one’s life without the lens of a possible teleological fulfillment, and in the absence of any eschatological hope for “the life of the world to come”. Just as Weil claims that “to love all facts is nothing else than to read God in them”, it seems that Nietzsche’s idea of eternal recurrence could be well expressed in a similar idiom: “to love all facts is to read eternal recurrence in them”.

“Reality and Recurrence: Reflections on Nietzsche and Weil,” Stuart Jesson, in Death, Immortality and Eternal Life, T. Ryan Byerly, ed., 2021, pp. 149-164.

Homer: The Very Idea

James L. Porter read

Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of Homer’s mystique and their impact since the first recorded mentions of Homer in ancient Greece.

Homer: The Very Idea considers Homer not as a man, but as a cultural invention nearly as distinctive and important as the poems attributed to him, following the cultural history of an idea and of the obsession that is reborn every time Homer is imagined. Offering novel readings of texts and objects, the book follows the very idea of Homer from his earliest mentions to his most recent imaginings in literature, criticism, philosophy, visual art, and classical archaeology.

University of Chicago Press, October 25, 2021

Love between Two Poems: The Imagination, Love and Literature in Simone Weil

Lieven De Maeyer

Mysticism and/as Love Theory (2021), pp. 167-176

“The Love of God and Man’s Suffering: Simone Weil and Georges Bernanos”

William S. Bush

in Dunaway, John M. & Springsted, Eric. O., The Beauty that Saves: Essays on Aesthetics and Language in Simone Weil, Macon, GA: Mercer University Press, pp. 185-196