“Albert Camus and Simone Weil: A Sense of Tragedy and a Yearning for Beauty”
Esprit, issues 8-9, pp. 92-115
Esprit, issues 8-9, pp. 92-115
Clip from the documentary written, directed & produced by Julia Haslett
Religious Studies in Japan, Vol.1, no. 1, pp. 1-14
Esprit, issues 8-9, pp. 69-71
Clip from the documentary written, directed & produced by Julia Haslett
Logic in Theology, pp. 219-236
Abstract: Major thinkers of the twentieth-century (Husserl, Heidegger, Wittgenstein, Whitehead) explored the conditions for the possibility of perception, language, and thought, and Merleau-Ponty in particular addressed the physi- cal body as a condition of existing and being situated in the world. Although French philosopher Simone Weil (1909–1943) has not been recognized as belonging in this stream of philosophical history, this article seeks to dem- onstrate that Weil was a pioneering phenomenologist of the body; for remarkably like Merleau-Ponty—yet more than a decade before him in the early 1930s—Simone Weil’s thinking centered on the foundational role of the body in structuring thought and ordering the world. The body is the first and primary orderer of experience for Weil: it grasps relations intuitively, pre-linguistically, and mediates action and thought. Weil’s body-thinking reconfigures the basis of thinking itself, positing that bodily movement is the factor sine qua non that enables ordered spatial-temporal perception, a perception on which the most abstract reaches of language and thought depend.
Comparative and Continental Philosophy, vol. 4, no. 2 (2012): pp. 195–218
in Emmanuelle Anne Vanborre, ed., The Originality and Complexity of Albert Camus’s Writings. New York: Palgrave Macmillan, pp. 125-142
Clip from the documentary written, directed & produced by Julia Haslett
History News Network, Columbian College of Arts & Sciences, The George Washington University.