5 letters to the Ministre de l’instruction publique; 1941 and [n.d.]
Selected entries, Archive: Houghton Library, Harvard College
Selected entries, Archive: Houghton Library, Harvard College
Saint Mary’s University, Halifax, Nova Scotia, MA
Modern Theology, vol. II, no 1, pp. 21-41
Lissa McCullough, editor, The Bloomsbury Handbook of Simone Weil (2024):
Lissa McCullough is Lecturer in Philosophy in the Department of Philosophy at California State University. Dr. McCullough’s research centers on modern philosophy of religion and interpretations of modernity. She has taught philosophy at CSUDH since fall 2014, and has previously taught religious studies at Muhlenberg College, Hanover College, and New York University. She completed her PhD at the University of Chicago, master’s degree at Harvard University, and bachelor at University of California Santa Cruz. She is author of The Religious Philosophy of Simone Weil (I.B. Tauris, 2014), editor of The Call to Radical Theology by Thomas J. J. Altizer (SUNY, 2012) and Conversations with Paolo Soleri (Princeton Architectural Press, 2012); and coeditor, with Brian Schroeder, of Thinking Through the Death of God (SUNY, 2004). In 2008 she was a visiting research fellow at the Institute for Humanities Research at Arizona State University. She is also guest editor of a special issue on Thomas J. J. Altizer for the peer-reviewed online Journal for Cultural and Religious Theory, Winter 2019
Amherst, MA: University of Massachusetts Press
PhD, University of California, Santa Barbara
Keynote Lecture delivered at the 2022 American Weil Society’s Friday Web Series, April 9, 2022.
Alexander Nemerov Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. His publications include Summoning Pearl Harbor (2017); Soulmaker: The Times of Lewis Hine (2016); Icons of Grief: Val Lewton’s Home Front Pictures (2005); and The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824 (2001). His most recent publication is Fierce Poise: Helen Frankenthaler and 1950s New York (2021).
Co-sponsored by the American Weil Society and the Snite Museum of Art as part of “Translations of Beauty: Simone Weil and Literature,” XL Colloquy of the American Weil Society