Recommended

Attending: An Ethical Art

Warren Heiti, editor read

Attending – patient contemplation focused on a particular being – is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness.

Moral theory has been agonized by dualism – motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered by Simone Weil and developed in the work of Iris Murdoch, John McDowell, and Jan Zwicky. According to Weil, virtue is knowledge, knowledge is embodied, and the knower is nested in an ecosystem of relationships. Instead of analyzing and solving theoretical problems, Heiti aims to clarify the terrain by setting up objects of attention from more than one discipline, including not only philosophy but also literature, psychology, film, and visual art.

The traditional picture captures one important type of ethical activity: faced with a moral problem, one looks to a general rule to furnish the solution. But not all problems conform to this model. Heiti offers an alternative: to see what is needed, one attends to the particular being.

Warren Heiti is a Professor of philosophy and liberal studies at Vancouver Island University.

McGill-Queen’s University Press, July 15, 2021

The Ethics of Simone Weil and Ludwig Wittgenstein

André Warren Heiti & Jan Zwicky read

This thesis investigates the ethics of Simone Well and Ludwig Wittgenstein. I claim that, for both Weil and Wittgenstein, ethics is not systematic or propositional: it is a discipline of attentiveness. For Well, this attentiveness is expressed through impartial respect for the needs of others. The self, which exists as a fixed point of view, interferes with the impartiality of the attention, and Weil’s idea of decreation, I argue, is a way of freeing thought from a point of view. I trace the continuity of Wittgenstein’s ethical thinking from his early to late work, and argue that, while he later rejects his Tractarian metaphysics and logical atomism, his reverence for the ineffability of value remains consistent.

University of Victoria, Thesis, 2006

Simone Weil and Resonance with Death – Simone Kotva & Hartmut Rosa

Simone Kotva & Hartmut Rosa watch

Simone Kotva is a philosopher and theologian at the University of Cambridge. Her research focuses on the philosophy of religion; environmental ethics; as well as magic and the occult. This year she published her new book titled “Effort and Grace: On the Spiritual Exercise of Philosophy” at Bloomsbury press. Hartmut Rosa is a philosopher and sociologist at the University of Jena and the director of the Max Weber Centre for Advanced Cultural and Social Studies. With his resonance theory and his sociology of time he currently ranks as one of Germany’s most influential social philosophers. Today both engage with the philosophy of Simone Weil and present their thoughts if we can resonate with death.

 

The Intimacy and Resilience of Invisible Friendship: Marie-Magdeleine Davy and Simone Weil

Brenna Moore read

The title comes from chapter 4 of Brenna Moore’s new book, Kindred Spirits: Friendship and Resistance at the Edges of Modern Catholicism, Chicago: University of Chicago Press (2021) pp. 145-171. In it, Moore focuses on the bond between French medievalist Marie Magdeleine Davy (1903-1998) and Simone Weil. Davy and Weil were acquaintances, but after Weil’s death, Davy dedicated significant scholarly attention to Weil’s thought and life. She authored one of the first books on Weil in 1951, lifting her up as a model for a new kind of sanctity in the modern world. In the late 1950s and ’60s, Davy’s projects were animated by what Moore calls an “invisible friendship” with Weil. Spurred on by memories of Weil, in 1962 Davy created an experimental utopian community for international students in rural France, the Maison Simone Weil, in her friend’s honor. As Moore puts it, “Simone Weil, more than anyone else, was Marie-Magdeleine Davy’s invisible friend, her inner guide, and her saint.” The story uncovers one of the many fascinating afterlives of Simone Weil, one that has not yet been told to English-speaking readers.